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danielblaufuksprojects |
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pavilhão branco, museu da cidade, lisboa, 2019 galeria vera cortês, lisboa, 2019 musée eugéne delacroix, paris, 2018 HOUVE UM TEMPO EM QUE ESTÁVAMOS TODOS VIVOS THERE WAS A TIME WE WERE ALL ALIVE galeria carlos carvalho, lisboa, 2018 galeria vera cortês, lisboa, 2016 bienal de fotografia de vila franca de xira, 2016 TODA A MEMORIA DO MUNDO, PARTE UM ALL THE MEMORY OF THE WORLD, PART ONE centro de historias de zaragoza, photoespaña, 2016 fundação eugénio de almeida, évora, 2014 TODA A MEMORIA DO MUNDO, PARTE UM ALL THE MEMORY OF THE WORLD, PART ONE museu nacional de arte contemporânea, lisboa, 2014 video visit to the exbibition with the author (in english) igreja de são roque, lisboa, 2014 usina, joão pessoa, brasil, 2014 caaa-centro para os assuntos de arte e arquitectura, guimarães, 2013 vera cortes art agency, lisboa, 2012 sun pictures, prints, 150 x 100 cm the first image, fourteen polaroids, 8.5 x 8.5 cm (each) zeppelin (1935-1993-2012), vintage photographs and polaroids, 65 x 140 cm (frame) utz, fifteen polaroids, 43 x 60 cm (frame) the photographer, cyanotype, 30.5 x 23.5 cm (frame) dia positivo, slides, 41 x 31 cm (frame) self-portray, double video, sound, loop, 2 x 10 min. ffgallery, cardiff, 2012 fundação eva klabin, rio de janeiro, 2011 OS OLHOS DA NOSSA MEMÓRIA VEEM MELHOR DO QUE OS NOSSOS galeria projetti rio, rio de janeiro, 2011 HOJE È SEMPRE ONTEM / TODAY IS ALWAYS YESTERDAY museum of modern art, rio de janeiro, 2011 kunstverein, essen, 2010 carpe diem, lisboa, 2010 the memory of others, prints, 100 x 80 cm carpe diem, video, 30', sound OFICIO DE VIVER / THE BUSINESS OF LIVING galeria carlos carvalho, lisboa, 2010 prints, 120 x 160 cm, 120 x 180 cm, 70 x 100 cm, 30 x 40 cm videos from the blaufuks memory films series VIAGENS COM A MINHA TIA / TRAVELS WITH MY AUNT solar galeria de arte cinemática, vila do conde, 2009 lichtspiele, 3 lightboxes and film, 2009 scratch, 1:17' loop, 3 monitors, sound, video, 2009 the square, various, loop, 3 projections, sound, video, 2009 what is left is right and what is right is wrong, 5', loop, sound, video, 2009 the absence, 20', loop, sound, video, 2009 a perfect day at wannsee, 27', loop, sound, video, 2008 now remember, 105', loop, 6 i-pods, sound, video, 2008 theresienstadt, 90', loop, sound, video, 2007 a perfect day, 40´min., loop, sound, video, 2002-2005 centro cultural de belém, garage, lisboa, 2008 set design play staged by carlos pimenta centro cultural vila flor, guimaraes, 2008 the archivist, print, 120 x 110 cm das buero, print, 110 x 160 cm untitled (tapes), print, 120 x 160 cm untitled (viewmasters), print, 35 x 75 cm memento mori II, 60 prints, 30 x 40 cm album, 34 prints, 100 x 80 cm now remember, seven monologues on video, 15 minutes each, work inspired by George Perec. primal memory, thirty slides in light box showing landscape and fauna in Africa. memory landscapes (shoah), thirty slides in light box showing landscapes taken from the film deja vu, projection of 80 identical slides the artist book `Album` was published for this exhibition vera cortes agencia de arte, lisboa, 2008 the archivist, print, 120 x 110 cm das buero, print, 110 x 160 cm untitled (tapes), print, 120 x 160 cm memento mori, 5 prints, 130 x 130 cm album, 12 prints, 100 x 80 cm now remember, six monologues on video, 15 minutes each, work inspired by George Perec. primal memory, thirty slides in light box showing landscape and fauna in Africa. memory landscapes (shoah), thirty slides in light box showing landscapes taken from the film Shoah. deja vu, projection of 80 identical slides souvenir, viewer with slide the artist book O Arquivo / The Archive was published for this exhibition galeria manoel macedo, belo horizonte, 2007 prints 100 x 160 cm, 100 x 80 cm. video "theresienstadt", 90', loop book project and talk with fellow artist alexandre estrela (pdf 2.7 MB) this work received the BES AWARD 2006 galeria la caja negra, madrid, 2007 solo exhibition, prints 120 x 160 cm, 80 x 80 cm, 60 x 80 cm video traum, 13.30', loop the artist book Blaufuks was published for this exhibition book and dvd, 17 x 22 cm, tinta-da-china, lisboa, 2007 During the Second World War, Lisbon, like Casablanca, was a corridor for refugees going from Hitler's occupied territories to America. This book tells two parallel stories about exile and accommodation. Through a narrated memoir and photographs, the tale of a German Jewish family that decided to stay in Portugal is recounted. The larger, more sociological account of artists who used Lisbon's escape route is skilfully told as well, using beautifully shot historic footage and written memoirs by some of the era's leading intellectuals including Heinrich Mann (The Blue Angel) and Alfred Doeblin (Berlin Alexanderplatz). This book evokes a desperate, intensely romantic period of exile, despair and, ultimately, freedom. film narrated by Bruno Ganz, 57 min., digital, color, 2002 BEST PHOTOGRAPHY BOOK OF THE YEAR IN THE INTERNATIONAL CATEGORY PHOTOESPANA 2007 centro cultural de belem, lisboa, 2007 prints 100 x 160 cm, 100 x 80 cm. video "theresienstadt", 90', loop book project and talk with fellow artist alexandre estrela (pdf 2.7 MB) this work received the BES AWARD 2006 elga wimmer pcc, new york city, 2006 solo exhibition, prints 18 x 24 in. video "cinema motel", 10', loop galeria carlos carvalho arte contemporanea, lisboa, 2006 solo exhibition, hiato 120 x 160 cm, 160 x 90 cm, 80 x 80 cm, 80 x 60 cm, endless end 30 x 40 cm video traum, 13.30', loop this show was nominated for the BES AWARD 2006 agencia de arte vera cortes, lisboa, 2005 solo exhibition, prints 120 x 160 cm, 80 x 80 cm, 80 x 60 cm, 30 x 40 cm video motel, 4', loop museu do chiado, lisboa, 2005 solo exhibition, video a perfect day, 40 ' loop lurixs arte contemporânea, rio de janeiro, 2004 solo exhibition, prints 120 x 150 cm., 80 x 60 cm., video endless end, 10' loop. centro cultural emmerico nunes, sines, 2004 solo exhibition, one print 120 x 160 cm., one viewing object, lightbox 20 x 20 x 20 cm, video endless end, 10 ' loop., journal pdf photoespaña, atocha, madrid, 2004 light-boxes in public space re-location shake, muzeul national de arta contemporana, bucharest, 2004 group show curated by maria bojan "one hundred postcards in real color", prints in 230 x 300 mm video series "a perfect day", 8' each. centro cultural de lagos, 2004 solo exhibition, prints 120 x 160 cm., 4 viewing objects in different sizes video series "combo", 25' , catalogue pdf 220 kb TOMORROW IS A LONG PLACE AND A PERFECT DAY elga wimmer pcc, new york city, 2004 solo exhibition, prints 120 x 150 cm., 80 x 60 cm. and 21 x 29.7 cm. video series "a perfect day", 8' each. public art project, coimbra, 2003 with arq. joão mendes ribeiro "view masters" with images from postcards of different places various locations, various sizes, available light palazzo delle libertà, palazzo delle papesse, siena, 2003 group show curated by lorenzo fuzi, with chema alvargonzalez, anna boggon, james casebere, vittorio corsini, sandra cinto, arthur duff, giovanni lindo ferretti, alex hartley, jonathan jones, adalberto mecarelli, sabrina mezzaqui, janet mullorney, aldo nove, luca pancrazzi, robert pettena, lorenzo pizzanelli, eraldo bernocchi/harold budd/petulia mattioli, letizia renzini, felix schramm, max streicher, mark themann, rafael vargas-suarez universal, suzann victor, italo zuff 8 prints 1.20 x .1.60 mtr., lightbox 20 x 20 x 20 cm, video "a perfect day (in siena), 8 min. lisboaphoto, centro cultural de belém, lisboa, 2003 group show curated by sérgio mah, with sophie calle, beat streuli, kim sooja, philip-lorca dicorcia, francis alys,frank thiel, pierre huyghe, joão tabarra, augusto alves da silva, anika v. hauswswolff, gregory crewdson, alexandre estrela,thomas demand, thierry kuntzel 12 prints 1.20 x .1.60 mtr. location one, new york city, 2003 group show, work in progress, based on george perec "two hundred and forty-three postcards in real color", prints in 210 x 297 mm, video series "a perfect day", 8 min. each. interview with anne barlow, curator at the new museum for new media fundação calouste gulbenkian, lisboa, 2003 solo exhibition, prints 120 x 160 cm (x2) presenting the film "reversed landscapes" XXI world congress of architecture, berlin, 2002 collaboration with architect joão mendes ribeiro porto, 2001-2002, work in progress collaboration with architect joão mendes ribeiro 17.3.2001, quicktime, 3.4 MB invitation for selected artists to create a double-page spread LISBOA, PESSOA, EXILIO, SARAMAGO galeria luís serpa, lisboa, 2001 solo exhibition, all images 1.20 x .1.50 mtr. teatro nac. s. joao, porto, 2000 set design, two-sided light-boxes on wheels, dance galeria andré viana, porto, 2000 solo exhibition, all images 1.20 x .1.60 mtr., video room "think of your ears as eyes" and optogram installation teatro nac. s. carlos, lisboa, 1999 set design, three printed translucid screens, dance public art, lisboa, 1999 installation in closed down department store (now benetton) teatro rivoli, porto, 1999, teatro nac. s. joao, porto, 2000 set design, double video retro-projection, coloured acrylic plates, lamps, dance ccb, lisboa, 1999 set design, shower curtain, video projection, dance encontros de fotografia, coimbra, 1998 solo exhibition, all images 1.00 x 1.00 mtr., video installation project with arq. joão mendes ribeiro expo 98, lisboa, 1998 set design, printed screen, printed light-cones, dance, performance, orchestra arco, madrid, 1998 installation in project room presenting the film "life is not a picnic" galeria luís serpa, lisboa, 1997 solo exhibition, x-ray light boxes, prints in duratrans 50 x 50 cm moda lisboa, lisboa, 1996 apartment, lisboa, 1997 light boxes, durantrans 50 x 50 cm zimmertheater, tübingen, 1996 set design, various prints on big-sized photo album, play a project with robert wilson (not built) book, 1994, quicktime, 4.2 MB centro cultural de belém, lisboa, 1994 A TERRA E AZUL COMO UMA LARANJA galeria luís serpa, lisboa ,1992 solo video-installation |
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